Date: April 13, 1964
Best Picture
Best Actor in a Leading Role
- Sidney Poitier for Lilies of the Field
Best Actress in a Leading Role
- Patricia Neal for Hud
Best Actor in a Supporting Role
- Melvyn Douglas for Hud
Best Actress in a Supporting Role
- Margaret Rutherford for The V.I.P.s
Best Director
- Tony Richardson for Tom Jones
Best Original Story & Screenplay
- James R. Webb for How the West Was Won
Best Adapted Screenplay
- John Osborne for Tom Jones
Best Cinematography, Colour
- Leon Shamroy for Cleopatra
Best Cinematography, Black-and-White
- James Wong Howe for Hud
Best Art Direction-Set Decoration, Black-and-White
- Gene Callahan for America America
Best Art Direction-Set Decoration, Colour
- John DeCuir, Jack Martin Smith, Hilyard M. Brown, Herman A. Blumenthal, Elven Webb, Maurice Pelling, Boris Juraga, Walter M. Scott, Paul S. Fox, Ray Moyer for Cleopatra
Best Costume Design, Black-and-White
- Piero Gherardi for 8½
Best Costume Design, Colour
- Irene Sharaff, Vittorio Nino Novarese, Renié for Cleopatra
Best Sound
- Franklin Milton for How the West Was Won
Best Film Editing
- Harold F. Kress for How the West Was Won
Best Sound Effects
- Walter Elliott for It’s a Mad, Mad, Mad, Mad World
Best Special Visual Effects
- Emil Kosa Jr. for Cleopatra
Best Original Song
- Jimmy Van Heusen (music) & Sammy Cahn (lyrics) for “Call Me Irresponsible” from Papa’s Delicate Condition
Best Substantially Original Score
- John Addison for Tom Jones
Best Music, Scoring of Adaptation or Treatment
- André Previn for Irma la Douce
Best Short Subject, Live-Action Subjects
- Paul de Roubaix & Marcel Ichac for Occurrence at Owl Creek Bridge
Best Short Subject, Cartoons
- Ernest Pintoff for The Critic
Best Documentary, Short Subjects
- Simon Schiffrin for Chagall
Best Documentary, Features
- Robert Hughes for Robert Frost: A Lover’s Quarrel with the World
Best Foreign Language Film
- 8½ (Italy)